The Eurovision Song Contest, since its inception in 1956, has consistently served as a platform not only for cultural exhibition but also for political expression, interaction, and contestation. This essay will explore the inherently political nature of Eurovision, utilizing sociological theories and frameworks to understand its impact and significance beyond mere musical competition.

1. The Genesis of Eurovision and the Cold War Context

Eurovision was established in the aftermath of World War II, with the primary aim of reuniting a fragmented Europe through the universal language of music. However, sociological perspectives, particularly those rooted in functionalism, suggest that institutions—even cultural ones—are often established to perform critical integrative functions. In the context of the Cold War, Eurovision can be seen as a tool for soft diplomacy, aimed at fostering unity and peaceful coexistence among the newly divided blocs of East and West Europe. The contest provided a non-threatening arena for these nations to engage with each other, in stark contrast to the political tensions and conflicts of the time.

Eurovision’s founding during the Cold War is not merely a tale of cultural cooperation but also one of