The functionalist view of the media is the argument that mass media contribute to the stability and integration of society by informing people, passing on shared values, providing entertainment and bringing people together around common events. It applies the general approach of functionalism, which asks what each part of society does to keep the whole working, to newspapers, broadcasting and, more recently, digital platforms.
What is the functionalist view of the media?
Functionalists treat society as a system of interdependent institutions, each of which meets a need. The family socialises children, the school selects and trains them, and the economy produces goods. The media are an institution that meets the need for communication, so that millions of people who never meet can share information and a sense of belonging. The approach is concerned with what the media do for society, not with who owns them or whose interests they serve, and this is the main point of contrast with Marxist and feminist accounts.
The functionalist tradition distinguishes between manifest functions, which are intended and recognised, and latent functions, which are unintended and often unnoticed. Robert Merton introduced this distinction, and it matters for the media because some of their most important effects are by-products. A news broadcast is meant to inform, but it may also reinforce a sense of national identity without anyone planning it. The same distinction allows for dysfunctions, which are effects that harm social stability.
What functions did Lasswell and Wright identify?
Harold Lasswell set out the classic list in 1948 in an essay on the structure and function of communication in society. He identified three: surveillance of the environment, which means gathering and reporting news of threats and opportunities; correlation of the parts of society, which means interpreting events and helping groups to respond together; and transmission of the social heritage from one generation to the next. In 1960 Charles Wright added a fourth function, entertainment, which provides relaxation and release from the strains of daily life.
These categories remain useful in teaching because they map onto familiar media activity. A weather warning or public health announcement is surveillance. An editorial or documentary that makes sense of a crisis performs correlation. A school history programme or a film about national traditions transmits the heritage. Entertainment from sport to soap opera supplies a shared topic of conversation as well as pleasure. For a wider introduction to these ideas, see mass communication.
How do the media contribute to socialisation and shared values?
Functionalists place great weight on socialisation, the process by which individuals learn the values and norms of their society. Emile Durkheim argued that social order depends on a shared moral consciousness, and Talcott Parsons developed the idea in his account of value consensus. On this view the media are an agency of socialisation alongside the family and school, since they show what behaviour is rewarded and what is condemned. Children learn about roles, relationships and the world beyond their immediate community from television, games and online video, as discussed in the role of media in primary socialisation and the general account of secondary socialisation.
Paul Lazarsfeld and Robert Merton made a related argument in 1948 in an essay on mass communication, popular taste and organised social action. They identified a function they called status conferral, by which public attention gives people and organisations prestige, and a function of enforcing social norms, since publicity exposes behaviour that departs from accepted standards and so encourages conformity. A person who is discussed in the news is treated as important, and wrongdoing that is reported is more likely to be censured. The study of this process overlaps with the work on moral panics and with the notion of newsworthiness.
How do media events create social solidarity?
Durkheim argued that rituals bring people together and renew their commitment to shared values. Daniel Dayan and Elihu Katz applied this thinking to television in their 1992 book Media Events. They used the term for live broadcasts of historic occasions that interrupt ordinary routine and draw very large audiences, such as coronations, state funerals, royal weddings, the Olympic Games and the moon landing of 1969. Such events, they argued, work like ceremonies, because people watch together, often in their homes, and feel part of a wider community. The funeral of Queen Elizabeth II in 2022 and the royal wedding of 2011 in Britain are examples of the type, as is the broadcast of national moments of silence. The related idea of shared values producing unity is covered in the post on shared values and social solidarity.
What is the uses and gratifications approach?
A related line of work shifts attention to the audience. Jay Blumler and Elihu Katz argued in the 1970s that people use media actively to meet their own needs and are not simply acted on by them. Denis McQuail, Jay Blumler and Joan Brown proposed in 1972 a four-part list of needs that media can meet: diversion, which means escape and emotional release; personal relationships, which includes companionship and conversation; personal identity, which includes comparing oneself with others and reinforcing values; and surveillance, which means gathering information. This approach is sometimes treated as functionalist because it asks what function media serve, but at the level of the individual and not the society. It also fits with the finding of Katz and Lazarsfeld in Personal Influence in 1955 that media messages often reach people through opinion leaders in their social networks, so that existing relationships matter more than direct persuasion. It contrasts with the older hypodermic needle model, which assumed that audiences absorb whatever is injected.
Examples of the functionalist view of the media
Public service broadcasting is the clearest institutional example. The BBC under John Reith was founded on the aim of informing, educating and entertaining the whole population, and its remit is an explicit statement of manifest functions. National news, public health campaigns and emergency announcements are examples of surveillance and correlation, such as the daily briefings during the coronavirus pandemic in 2020. Soap operas and sport provide common topics of conversation that cross class and region. Coverage of national ceremonies, including Remembrance Day events and royal occasions, supplies the sense of shared tradition emphasised by Durkheim.
Digital media can also be read in this way. Social networks allow people to find communities and to maintain relationships across distance, which functionalists would see as meeting needs for belonging, and online platforms allow rapid communication during emergencies. The material on popular culture and the consumer society shows how entertainment and advertising also supply common symbols and aspirations.
What is the narcotising dysfunction?
Lazarsfeld and Merton did not see the media as wholly beneficial. They described a narcotising dysfunction in which the large amount of information that people consume leads them to confuse knowing about problems with doing something about them. A person who follows the news closely may feel informed and involved while taking no action. They also warned that commercial media, which depend on advertisers, tend to support the existing social and economic order and so discourage criticism. This shows that even within functionalism there is room for a critical view, and that functions can be harmful as well as helpful.
What are the criticisms of the functionalist view of the media?
The most common criticism is that it ignores power and ownership. Marxists point out that much of the media is owned by a small number of corporations, and Edward Herman and Noam Chomsky argued in Manufacturing Consent, published in 1988, that news is filtered by ownership, advertising, reliance on official sources and other pressures in ways that serve elite interests. The Glasgow University Media Group’s studies from the 1970s, such as Bad News, found that coverage of industrial disputes favoured management perspectives, which suggests that the media do not simply serve everyone. See also the discussion of gatekeeping and cultural hegemony.
A second criticism is that functionalism assumes a consensus that may not exist. In a society of different classes, ethnic groups and generations, there may be little agreement on shared values, and media content may reflect conflict as much as unity. Postmodernists argue that the media create images that people consume and reinterpret in different ways, and that there is no single shared culture for them to transmit. Feminists have shown that media representations often reinforce stereotypes, as Gaye Tuchman argued in her 1978 concept of symbolic annihilation, in which women are underrepresented or trivialised. The social constructionist and symbolic interactionist accounts focus on how meaning is made and negotiated and not simply transmitted.
A third criticism concerns fragmentation. The growth of cable, streaming and social media has divided audiences into niches, so that fewer people watch the same programmes at the same time. Cass Sunstein argued in Republic.com in 2001 that online personalisation can lock people into self-reinforcing information bubbles, a process that weakens the common ground that functionalists regard as essential. Misinformation online may be seen as a dysfunction that damages trust and cohesion. A further methodological criticism is that functionalist explanations are hard to test, because it is easy to claim that any feature of the media serves some function without showing that it does.
Why does the functionalist view of the media matter in sociology?
The functionalist view remains a standard starting point because it identifies the basic tasks that communication performs and gives a vocabulary for discussing them. It reminds students that the media also support social life, and are not only a tool of control or a source of harm. Its weaknesses, especially on power, conflict and fragmentation, explain why other perspectives developed. In an examination or essay, a strong answer will outline the functions identified by Lasswell, Wright, Lazarsfeld and Merton, explain media events and uses and gratifications, give contemporary examples, and then weigh them against the Marxist, feminist and postmodernist criticisms. Readers can compare the same perspective applied elsewhere, for example in the functionalist view of power and the account of main functionalist theorists.
Further reading
- An Introduction to Theories of Popular Culture — Dominic Strinati
- Social Theory and Social Structure — Robert K. Merton
- Personal Influence — Elihu Katz and Paul F. Lazarsfeld
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